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  Polish Community Trust, Bay of Plenty
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    • Events 2020 >
      • salon PL
      • Christmas 2020
    • Events 2019 >
      • Spring Slavic Festival
      • 2019 Multicultural Festival
    • Events 2018 >
      • Summer camp
      • 2018 Multicultural Festival
      • Meeting Polish President Andrzej Duda
    • Events 2017 >
      • 2017 Multicultural Festival
      • Joining FPONZ
      • Let's make Zurek
      • Gift exchange continues
      • Fundraiser for Multicultural Tauranga
      • 145th anniversary of Polish settlement in New Zealand
      • Tekla Klebetnica concert
    • Events 2016 >
      • 2016 Multicultural Festival
      • Artur Dutkiewicz classic jazz piano
      • 3rd May Constitution Day
      • Linking schools with letters
      • School visit in Gdansk
      • Gifts from New Zealand
      • Can't make it? Fake it!
      • Polish teacher conference
      • FPONZ meeting
      • Independence Day
      • Presenting the school in 20/20 style
      • Mikolaj 2016
      • Christmas market
    • Events 2015 >
      • 2015 Multicultural Festival
      • Concert and exhibition
      • Award for Ewa Fenn
      • Meet the Wawel Dragon
      • Year-end celebrations
    • Events 2014 >
      • Chopin plaque unveiling
      • 2014 Multicultural Festival
      • Around the World in 80 Dishes
      • Farewell Ewa Fenn
      • Playing the red piano
      • 1st Trust anniversary
      • From Poland to Pahiatua
      • Celebrating everything Polish
      • Mikolaj in Mt Maunganui
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    • Poles in the press
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How do you photograph a piano that’s a piece of art and cannot be photographed as an exhibit because of copyright restrictions? You play it - because performers are artists and can be photographed using a piece of art.

Michael Parekowhai’s famous red piano, He Korero, is a richly ornamented Steinway piano. It was exhibited at the 2011 Venice Biennale and now has its permanent home at Te Papa museum in Wellington. In August/September 2014 it was on loan at Tauranga Art Gallery and was made available to pianists – would-be, budding and professional ones – for 15-minute public playing sessions.

Magdalena James had registered to play Chopin and Debussy on 17 August. She did so to the delight of not only a number of Poles who had come to listen but also to prove what a Steinway can sound like if the pianist is a pro.

Filling in for a no-show performer, Eva Niedzielski also used the opportunity and played a Polish folk tune, Kukuleczka kuka.

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